Filming Day 1 - Balloon Shot

This was our first filming day, where balloons were set up in the bath along with fairy lights and Georgia was placed inside where we shot the movement of the balloons. The lighting and colour of the balloons will add a vibrance to our video and the slow motion effect which we used fit our theme of freedom, independence and having fun. 

Digipak Ideas

As the deadline for our digipak is so close - I have finally decided on some ideas I am going to experiment with. As our song is a remix created by 'dj's, the front of my CD cover will feature something in link with this - preferably some decks which I have access to. I thought perhaps having a woman's hand reaching over to the decks would make it a little more interesting, with  "Hunt the Noise - Dreams" being on the digital screen of the decks them. Although it is a rather simple idea, I think it could work really well without being too overcrowded, especially if I ensure I have dim lighting with a real focus on the band name and title. 

DIGIPAK

WHAT is a digipak?

A Digipaks typically consist of a gatefold (book-style) paperboard or card stock outer binding, with one or more plastic trays capable of holding a CD or DVD. It is registered trademark of AGI MEDIA, a MeadWestvaco, Inc.resource, which acquired the original trademark holder, IMPAC Group, Inc., in 2000. MeadWestvaco licensed the name and designs to manufacturers around the world.

Since Digipaks were among the first alternatives to jewel cases to be used by major record companies, and because there is no other common name for Digipak-style packaging made by other companies, the term digipak is often used generically, even when the media holder is a hub rather than a full plastic tray.

Digipak-style packaging is often used for CD singles or special editions of CD albums and the tall DVD Digipak is used as a premium package for DVDs and DVD sets. Such packaging is less resistant to abrasion than jewel cases, it tends to show signs of wear relatively quickly. Licensed digipak manufacturers such as domestic U.S. printer and disc replicator Oasis Disc Manufacturing recommend coating the raw printed paper with a protective UV coating, thus ensuring greater longevity. Manufacturers have sought to reduce environmental impact and improve functionality by introducing recycled components into its trays; one has announced a 100% post-consumer PET tray made from recycled bottles.

Although less vulnerable to cracking than a jewel case, the disc tray inside the package remains rather brittle and is prone to cracking if the package is crushed. Digipak-style cases grew in popularity among record labels and recording artists in the early 2000s.

Filming Schedule

Today we are setting up our filming schedule, as we realised it's not long til Christmas!

Our first filming date is going to be this Thursday at Lana's house.

Location

                            

Here are secondary source images I have found, showing what kind of settings we would like to film our music video in. The beginning running shot, we would like to be filmed against an urban-y, rough setting such as a brick wall or an alley as shown in the first picture. We also like the idea of shooting in an abandoned building or something with similar effect, particularly when showing the distress of the ex-lover. We have also come up with the idea of having a shot of the girl having fun in a room full of over-sized balloons, which would be a brilliant shot of her going through them and perhaps, popping some. 

Selena Gomez has also used this balloon idea in her new music video, as shown at 2:28.

Todorov's Theory

Relating Our Narrative to Todorov's


a state of EQUILIBRIUM, displaying normality
We plan to have this flashing shots of this at the beginning of our music video, particularly when our main character is reminiscing at the times when her and her ex lover were together
a DISRUPTION of the equilibrium by some action
This (positive) disruption takes place when our character sets free and the running track shot takes place for the initial parts of the video
a RECOGNITION that the disruption has taken place
This recognition of disruption could be portrays, perhaps by showing our girl to have fun with her friends and entering her new found freedom
an attempt to REPAIR the disruption
We wanted to show this attempt to repair by the ex lover trying to win back the girl, by maybe sending her messages to meet up. My group and myself definitely want to create a sense of ambiguity to leave the audience questioning what will happen next
a return to a NEW equilibrium 
As we are having a twist element in the end of our music video, our character will not actually return to her old lover, however, it will be apparent that her a resolution will be found with her new lover. 
Our narrative will be have an OPEN structure, as the audience are left to wonder what happens next and make sense of it themselves.

Audience Theory

It is vital to know our audience
- We then know our *target audience*
- We can fulfill the audience's expectations of codes and conventions depending on our genre
- See who will BUY our music and videos
- We know what will appeal to our audience, therefore allowing us to promote according via our music video/digipack
-We may be able to relate to them, using specific iconography
STUART HALL
Developed the concept of audience positioning as a result of examining news reports on industrial strikes. Claiming that media representations established a framework for possible responses – this is like setting an agenda for issues to be raised with audiences. The responses to an audience watching a media text would be likely to fall into three main categories:

 Dominant readings - Audiences respond to the way narrative is constructed and adopt the points of view implied

Oppositional readings - Audiences reject the way the narrative is constructed, question and challenge the points of view implied
Negotiated readings - Audiences partially accept the way the narrative is constructed but can see both points of view

the dominant and oppositional readings

Aberrant readings is an additional interpretation, where the text is read in a deviant and largely unanticipated manner, the preferred reading not being recognised at all

Split Screen/Opening Idea

How we intend to begin our music video (0.00 - 0.06)...

Metronomy - The Bay

The first six seconds are how we want to start ours, as it introduces the video in an original way.

We also plan to use a split screen towards the end (0.39-0.43)...
Due to our narrative having a slight twist element in the end, the audience can be considered to be perhaps, 'tricked' into thinking that the girl is going to meet up with her ex-boyfriend, yet essentially stitches him up when she actually meets her new lover. We thought the idea of having both the ex and the new lover on split screen would represent this nicely, then squashing the split screen gradually towards the ex so the full screen turns on the girl and her new love. 

Marroon 5 - She Will Be Loved

Maroon 5's video to this song, displays a strong narrative featuring a male and female relationship. I am especially captured by the ending, as there are extreme close-ups used of each character, which I hope to interpret in our music video. This effect will bring into motion the expression and mood of each of our characters.

Developing our Concept

Whilst storyboarding with my group, we thought of a main narrative for our music video. Although we don't want this narrative to completely dominate the entire film, we want our audience to know roughly want the song is about and how we are portraying it. As the song we have chosen suggests, it is about LOVE. We are going to represent this love in a damaged way, involving both a main boy and girl.

This love they previously had will be displayed in flashbacks of them together, mostly sad times yet happy times too, perhaps. These flashbacks will be very quick and will only be at the starting point of the song. As the lyrics state, freedom of the girl is going to be shown - where she goes out with her friends, 'forgets' the boy and generally enters her new single life. 

                                       

The character of the male, however, will be portrayed as a control-freak who begins to obsess over her after their break-up, where we will use pinhole shots and represent him as a moody, depressive person who cannot deal with his former girlfriend's new found freedom. 

                                 

Storyboard's Done!

Here we have one page of our storyboard - we tried to make ours as detailed as possible so we could know EXACTLY what to shoot on the day. We have explained what location, what shot type and the details of what we would need at the time. This is a good outline to go by, even if we do alter or change some of it along the way. 

Rich Mix Trip

Today we visited Liverpool Street, where a Media music video seminar was held. I found it really captivating how we had the chance to listen to a couple of professional music directors and learnt the journey they went through to produce famous tracks. 
I found the music videos directed by Corin Hardy the best - the 'Warrior Dance' track by The Prodigy is one of favourites and the video to go with it is definitely creative and very quirky (making the cigarette packet people come alive!). He appears to have used stop motion film in order to produce this, which he said was a very length yet effective process.

Another amazing video of his is by The Horrors - She Is The New Thing - as they are a very rocky, solemn sounding band and Corin's work also reflects this, his ideas for this video worked perfectly. He explained how he simply filmed the band for roughly two hours, then added layers of ink painting he had created over the course of 4 weeks managing this edgy, scratchy music video.

During this trip, I was also able to learn about the different budgets of film - Corin Hardy explained how most of the music videos he makes are for much cheaper budgets of around £5,000. However, the other music director we were also able to hear from directed Britney Spears new music video - Criminal (which is not available on YouTube yet) and stated a much larger budget, including flights, costumes, location and of course the cast/singers.
Overall, it was a very successful trip, where a great deal of useful information was given particularly from the chief Media examiner. Looking forward to shooting some footage now with my group!

British DJs

This is an example of quick flashing shots by a well-known DJ called Rusko. I really enjoy this music video, as it does have an edgy British feel to it. The beginning is a build up to the actual song, similar to our song where we will be including a fast moving tracking shot. The location is based in urban-y settings of London, which is exactly where we intended on filming ours, especially Brick Lane etc.

Video Montage

Here is our video montage of all the techniques we'd love to include in our music video. We have only experimented with a few so far, but as we are getting further into our storyboard, we will be able to carry out more and will upload them onto our blogs.

Our Treatment

This is the link to Prezi, which is what we used to do our pitch to the rest of the Media class. Below, there is also the recording of our treatment. We, as a group, thought our presentation really well and we were able to express our overall thoughts and final ideas of what we want to achieve.

http://prezi.com/ifqwvubbgfty/media/

Production Journal - 7th Oct

This current week has just been focused on completing our treatment, which we are going to present to the class on Monday. We are using Prezi, where we will include our key words, loads of pictures and links to the videos that have influenced us on our final ideas!

Voyeurism Idea

We found this Nero video and aboslutely love the voyeurism aspect! At around point 0.33, the young girls are singing karaoke on the television and we think this would be an original, quirky element to include in our music video.

Song Lyrics

Now here you go again
You say you want your freedom
Well, who am I to keep you down?
It's only right that you should
Play the way you feel it

But listen carefully to the sound
Of your loneliness
Like a heartbeat drives you mad
In the stillness of remembering 
What you had
And what you lost...
And what you had...
And what you lost

(Oooooh)

Oh, thunder only happens when it's raining
Players only love you when they're playing
Say, women...they will come and they will go
When the rain washes you clean, you'll know
You'll know
_____________________________________________________________
On elyrics.net, I found the lyrics to Fleetwood Mac's Dreams (the song we are using for our music video) - here I have highlighted and enlarged the key words signifying the main themes for our music video. It is obviously about love, however the song is not specific in anyway and we can therefore choose to play on many different aspects such as freedom, independence, relationships, friendships, love, hate and our surroundings. 

Band Brand

After some a long, hard think, we finally settled with a band name, Hunt The Noise. It's original, slightly chilling and I think its a suitable choice, as we have to play the role of being DJs remixing this classic Fleetwood Mac song. Also, it is a very versatile choice because it can be the name of ANY genre. 

COSTUME

CASUAL

ripped denim shorts

jewellery

converse?

attitude

effortless

scruffy

MAKE/UP

daytime

bold lips

subtle eye makeup

nighttime

heavy make up

masks

Website Analysis

CHASE AND STATUS
They are one of the most famous British music production duo, having taken a close look at their website, it is clear to see that there is a distinctive theme to their label. The main colours were black and yellow, which can be seen as giving the connotations of danger - similar to the black and yellow hazard tape in crime scenes. Their website is ultimately to promote. The first thing on their website is the social networking sites to allow interaction between fans, also giving them the opportunity to sign up and become a member.

Various tour dates and events of where Chase and Status would be performing was also shown on the homepage, giving fans a chance to buy tickets via their website. This is most likely to notify 'members' who have signed up to their fan club whenever available tickets come up for sale.

Like many artists' websites, sneak previews or full songs for their most recent song is displayed on their homepage for viewers to watch and listen to. Photographs and videos of previous performances and events are usually put up as well in order to interest those who perhaps, have never seen them live.

As years go by and less and less CDs are bought in person, it is only right for Chase and Status to promote their album on their website for fans to buy it straight up. Their 'store' also contains various C+S hoodies and tshirts, further encouraging their publicity. After analysing the Chase and Status website, it is evident to see that like all websites, they MUST have a consistent theme and logo, making the brand recognisable for all. 

New Song Choice Permission

As we have changed our song from Justice's D.A.N.C.E to Fleetwood Mac's Dreams, we have to first get permission from Blue Horizon records (Fleetwood Mac's record label) to ensure we are able to to use it without committing anything against the copyright act.

OUR NEW SONG

We have finally found our new song! It is catchy with a good beat where we can incorporate all our original ideas into, along with lyrics so we have include lip syncing in there too. Despite being an old song - The Twelves have made a remix version, which creates the dance-y/electro sound to it as well as it having that retro/aged feel to it.
FLEETWOOD MAC - DREAMS

Grainy effect and Lighting

If somehow we could create a similar lighting scale to this Rizzle Kicks video, it would really add such a dreamy, professional look to our video. We have figured out that some excellent cameras can do this, as well as some good effects on Final Cut which we will have to experiment with - whilst filming just before the sun goes down!

Production Journal - Friday 30th Sept

This week has consisted of finding a new song choice for our music video. Having come across a suitable option - Nero's remix of Boy Crisis - Dressed to Digress, we may use this - we have to fully decide on Monday's lesson. I really liked this song because it is a great deal faster than Justice, allowing use to use the flashing shots, whilst some of the lyrics give us the chance to use the reverse technique we have been practising. Although it has quite a heavy beat, we can still use all our original ideas within it, particularly as it  has  a rather dark, edgy sound to it.

Song Choices

Whilst trying to find alternative songs, we came across this remix of an old classic. By using this song, we'd be able to add a real Retro feel, perhaps, by using a contrasting of age - youths singing along to a old song. As it is a remix, the beat is perfect, meaning we could include all our previous ideas. 

Unfortunately, we could not embed the official video of South Central - The Day I Die, however, we absolutely loved the pinhole idea - which was in the eye of a murderer whose role was to basically kill everybody in a car park. The style and beat of the song fit perfectly, and including a pinhole element into our music video would be extremely effective in establishing the setting.

Digitalism is very alike to the genre we have chosen for our music video. This music video, despite being very basic works very effectively. The revolving movement of the room is constantly at one shot type, yet the centre of the room is constantly changing. As the song increases in speed and time, it becomes darker - forming shadows and the use of lighting is recognised. This effect brings an edgy feel into focus, forming a sense of ambiguity. 

Andrew Goodwin

Andrew Goodwin has identified a number of key features in music videos. They are:
- A relationship between the lyrics and the visuals, with the visuals illustrating, amplifying or contradicting the lyrics.
- A relationship between the music and the visuals, with the visuals illustrating, amplifying or contradicting the music.
- Genre-related style and iconography present.
- Multiple close-ups of the main artist or vocalist.
- Voyeurism often plays a major part, especially in relation to females.
- Intertextual references to other media texts may be present.
He says that music videos are often constructed by the link between the visuals and the song plus the artist. Relationships are built between these in the video, and the close-ups of the artists gives them the representation and publicity they require. Voyeurism is used to increase the video’s attractiveness, particularly to males, whilst intertextuality is often employed in humorous videos.
Many of these features are present in all music videos, depending on the genre of the song and the aim of the record company/artist.

Andrew Goodwin’s Theory

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Voyeurism within our music video

We will include elements of voyeurism within our music video by turning on the music at the beginning by a source such as; a record player, amplifier or even a phone as seen in many previous videos. As well as this, we will need to add a sense of reflection e.g. mirrors. 

Could this be our song?

Boy Crisis - Dressed To Digress (Nero Remix)
After coming across this song on the UKF dubstep channel, I really liked the beat, as many of our previous ideas such as; the use of colourful lights, quick flashing shots and many of the techniques used in the practise video can be used. 


The original song (unremixed)
A much slower, rocky sound to the remix. Personally, I would think our genre and ideas would work much better with the Nero remix.

New Song Ideas

Passion Pit - The Reeling


Lo-Fi-Fnk - Want U


Locnville - Sun in my Pocket

Production Journal - 23rd Sept

As a group, we have decided that Justice - D.A.N.C.E is not the best of songs to choose, as it does not fit our ideas very well. Due to the fact, our ideas will need a much faster pace of song, particularly as we are going to include some very short, flashy clips in certain parts. This weekend, we are all going to research some more songs and will discuss in further detail next week. 

The Gaze

The spectator's gaze: that of the spectator viewing the text, i.e. the audience

The Intra-diegetic gaze: in a text, a character gazes upon an object or another character in the text.

The Extra-diegetic gaze: a textual character consciously addresses (looks at) the viewer, e.g. in dramaturgy, an aside to the audience; in cinema, acknowledgement of the fourth wall, the viewer.

The camera's gaze: is the film director's gaze.

Duran Duran - Rio 

This Duran Duran video  is a clear example of the Male Gaze, immediately it starts with pinholes of an attractive woman. The idea that 'sex sells' is shown, as a huge majority of the video focuses with being surrounding by women in bikinis on a beach.

Madonna is a famous figure who has always been known to appear prerogative and sexual in her videos. This can either be seen as objectifying the male gaze, in that she acts how she wants to simply because she can or perhaps, in doing this she is obeying this rule that women must always act as sex symbols.

Here we have 50 Cent's P.I.M.P video, which basically suggests his powerful, authoritative position he has over the women he is surrounded by. They are all wearing minimal clothing and appear very airbrushed, which can again imply the physical distortions within the media. 

We would really like to in cooperate a twist of the male gaze in our music video, similar to Paolo Nutini's Pencil Full of Lead, despite our characters will be dressed attractively yet not particularly porogative, we would like our leading girl to be of dominance - rather than the traditional male dominating role. In Paolo's video, although the girls are in minimal clothing, which could be considered to be conforming to the male gaze, they are also the ones who end up playing with the 'play-do' Paolo, adding a humourous yet meaningful effect.

Production journal 16th sep

This week has just consisted of putting together our montage, we've put together a series of clips from around London and nights out. We have also attempted some effects we hope to use in our actual video, such as quick flashes of black-screen, the reverse/rewind technique and a sequence of clips embedded in sections within the montage. We will upload this video next week onto our blogs.

Laura Mulvey

Laura Mulvey Visual Pleasure and Narrative Cinema

• Phallocentrism -- a world view which sees the penis (symbolic and otherwise) as the defining center of meaning.  In other words, there is a central, stable meaning to things; that meaning is defined largely by men who associate their power to name and define and control reality with their masculinity.
• Symbolic Order -- the realm of meaning controlled by the Law of the Father  (in Lacan's theorizing): the language of partriachy.  As opposped  (by Kristeva) to the Imaginary -- the primal language of connectiona sscoiated with pre-Oedipal bonding with the mother.

b) Destruction of Pleasure as a Radical Weapon

• Hollywood film reflects the dominant ideology of their culture.  We get our pleasure from films from this presentation of the erotic.  If we learn to make films which do not encode these ideologies, a lot of people will lose their pleasure in looking at film.
• Mise-en-scene means staging an action. It is historically to do with directing plays, and became later to do with film to express how the material in the frame is directed.

PLEASURE IN LOOKING/ FASCINATION WITH THE HUMAN FORM

a) Film satisfies this primal pleasure we all get from looking at other people.
scopophilia - - the pleasure we get from looking, in seeing other people as objects. We get a sense of power from being able to do this.  With John Berger she believes the one who looks has the power.
Voyeristic scopophilia --
b) Narcissistic scopophilia is looking at other people as seeing them as surrogates for yourself.  We also identify with people in movies.   So there is a tension here between the sense of power we get from observing others as separate from ourselves and the pleasure we get in imagining that we are the people we are looking at.
the mirror stage:
c) tension between these impulses-- to see others as separate and to identify with them

WOMAN AS IMAGE, MAN AS BEARER OF THE LOOK

a) Split between male, active gaze which looks and female passivity which is looked upon. Women are always on display in film.  Seen as objects of sexual desire; this is trasnsformed into exhibitionism.  Visual presence of female tends to stop the stroy line to dwell on the image.
diegesis -- "In a narrative film, the world of the film's story. The diegesis includes events that are presumed to have occurred and actions and spaces not shown onscreen. "
Buddy pictures
Why are so many women in film showgirls, strippers, etc.
b) Gender split carries over into narrative of film--men carry the story, make things happen, while woman remains icon.
c1) Problems with woman as icon:
444    c1a) voyeurism -- sadistic desire to punish woman for her lack
        c1b) fetishistic scopophilia -- builds up beauty of woman in order to compensate for anxiety 

Male Gaze Using Film As Case Study

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Bombay Bicycle Club

Absolutely love this song and the music video to go with it! They've even introduced the costume theme with the whole 'catch the panda' idea. Very quirky and upbeat, something we definitely want to create in video especially now we have decided that our chosen song by Justice may not fit what we intend to do.

Production Journal - 9th Sept

As it is our first week back from the Summer holidays, we have just been uploading all the random footage from the Flips this week and editing them into one. Continuing to research into new found ideas and finally emailed Ed Banger Records for permission to use their song! Definiately need to start storyboarding soon, especially as we have to pitch our idea to the entire class soon.

Focus In/Focus Out Effect

I came across this Tyler the Creator song, which despite being extremely controversial and very strange, has a brilliant effect used throughout the video. As soon as it begins, the camera gradually zooms into him slowly focusing clearer until his entire image is visible. My group and I have already had ideas on perhaps using black silhouette lip syncing, as it creates a mysterious, unidentifiable element.

Song Choice Permission

In order to use the song we are using for our video, we must contact Justice's music producers asking for permission. Here is a screenshot of the email I sent them:

Inspiration

Earlier on in the week, Joely showed the group two music videos she came across during the Summer. I particularly enjoyed Mac Miller's Frick Park Market video, beginning with an establishing shot of where it is to be set (name of the song). Also noticing the lyrics literally matching up with some of the shots taken, which if done only a couple of times is a technique I'd be happy to use in our music video. After the artist enters the blue door, he goes into this dark room covered in UV paint. As discussed regularly before in the group, we love this idea - the contrast of a dark lit room with vibrant writing on the walls or even clothing. 


This video is very different to others we have seen, although it is animation, we gained a few ideas for it. The dinosaurs in the song move exactly to the beat of the music. This is something we could perhaps, recreate in our video by getting objects/people to move precisely to the rhythm of the beat. 

Previous Song Choices

The Greeks - Is Tropical

My group and myself were considering using this song by The Greeks for our music video, the official video for this is particularly interesting. Despite not using this for our actual video, we have gained some ideas for it, as we love the whole children playing the roles of adults and the entire contrast in both reality and animation. The effects are humourous and fit the Indie genre entirely, although the lyrics allow new, completely different ideas to be made.

Green Screen Practise

In Friday's lesson, we had a bit of fun with the green screen - using an underwater clip from YouTube. We then put Lana in front of the green screen and made her lip sync to Taylor Swift. Using this effect proved to be very successful, although Lana's hair seemed to have affected the quality of some parts (as it contains bleach). We will definitely be using this technique on our real music video, which we were considering to create t-shirts or clothing out of, where we can insert sections of filming or even still images. 

Later on in the week, Joely and Andrea had a bit of fun experimenting with a variation of different backgrounds fitting with the lyrics of the song:

Preliminary Exercise

My group and myself finally filmed our prelim, we learnt that featuring in a music video - whether you were the main or backing singers - you HAD to be enthusiastic! Luckily enough, we had brilliant lighting that evening just as the sun was setting and we were able to have access to the convertible car and house we planned to film in.  
The beginning of our prelim was a very make-shift, as we created all the weekly pieces of paper and simply used cello tape to flip from day to day. Despite storyboarding, we didn't play much attention on the waking up in the bed scene (hence the black screen) - this has definitely taught us to storyboard clearly for the real thing! Other than that, we filmed chronologically and Joely filmed the long shots of us in the car, whilst taking close ups of Lana as the main singer. Lip syncing proved to be easy for Lana, as everything was in time with the music. The only thing we have to ensure we don't have difficulty with is the adding and deleting of clips, which can instantly change the sync of both the lip syncing and music.

Colourful Paint/Flour Idea

One of the very first ideas we had was to use some form of substance (paint or flour) inside balloons, then using the effect of them exploding in our music video. This was later seen in Example's video, which came our soon after we thought of this! It is a brilliant thing to do and something you don't seen often, hopefully we will be able to recreate this and insert it into our own.

Useful Advice

FINAL A2 GRADE
- Ask friends or approach local bands and get permission to use their material
- Approach unsigned bands on ‘My Space’ etc and get permission to use their material
- Collaborate with music department/students in your centre on the project
- Create your own music or sound track
- OR…Use a music track by a well-known artist, but email the record label asking permission: be aware of the dangers of using a well known artist à your videos are more likely to mimic existing videos and not challenge conventions

One of our ideas within our group was to have an animal/inhuman aspect - perhaps, inspired by using animal painted faces or even costumes. Eliza Doolittle's Mr Medicine is a video we happened to come across and we especially loved the part where these mysterious people in costumes join her whilst singing in a lonely, dark street. This is particularly effective, as we could play on this theme in a small section of our video.

Prelim Storyboarding

The first page of our storyboard (Joely's beautiful drawings!) including the page seven turners then the bed, living room and bus stop shots

The majority of these shots are based in the car, mainly close ups of Rebecca and medium shots of her friends

This last page of the storyboard are mainly medium shots 

INITIAL IDEAS

After coming across this video, we noticed the fast forward/rewind part at point 0.45
Really like this effect, as it would go really well with our song choice in particular beats in the song.



Skatepark idea
The whole 'London' town idea with all different kinds of people skating around, having fun.


Images on tshirt, this idea is extremely similar to the one in the official Justice video, which is why we may not use it. Although we have purchased some plain green screen to perhaps, make some pieces of clothing to experiment with.

Preliminary Exercise Song Choice

We have been asked to create a preliminary video, copying a section of a real music video - my group and myself chose the very annoying (highly repetitive) song: Rebecca Black - Friday. It will be set exactly like the video, with the use of a convertable car for the majority of the shots. Lana will play the role of Rebecca, whilst we will use some of our friends to sit in the car. We have also created a storyboard, which will be uploaded in my next post. 

Song Choice

Together myself and my group have come up with a range of initial ideas connected to our final A2 music video. The song choice we have decided to do is Justice - D.A.N.C.E, it is very entertaining - containing both animation and real-life shots. One thing that particularly interested me was the contrast of the black and white shot, juxtaposed with the coloured writing or animation - drawing the younger generation into this entire disco/futuristic era.
Lyrics of the song:


Do the D.A.N.C.E.
1, 2, 3, 4, fight
Stick to the B.E.A.T.
Get ready to ignite
You are such a P.Y.T.
Catching all the lights
Just easy as A.B.C.
That's how you make it right


Do the D.A.N.C.E.
1, 2, 3, 4, fight
Stick to the B.E.A.T.
Get ready to ignite
You are such a P.Y.T.
Catching all the lights
Just easy as A.B.C.
That's how you make it right


Do the D.A.N.C.E.
1, 2, 3, 4, fight
Stick to the B.E.A.T.
Get ready to ignite
You are such a P.Y.T.
Catching all the lights
Just easy as A.B.C.
That's how you make it right


Do the D.A.N.C.E.
Stick to the B.E.A.T.
Just easy as A.B.C.
Do the DANCE


Do the DANCE
The way you move is a mystery
Do the DANCE
You're always there for music and me
Do the DANCE
The way you move is a mystery
Do the DANCE
You're always there for music and me


Do the DANCE
The way you move is a mystery
Do the DANCE
You're always there for music and me


Take me through the radio
Does it all around
Except for one amp stereo
And the speed of sound


Do the DANCE (do the dance)
The way you move is a mystery
Do the DANCE (do the dance)
You're always there for music and me


Do the DANCE (do the dance)
The way you move is a mystery
Do the DANCE (do the dance)
You're always there for music and me


Under the spotlights
Neither black nor white
It doesn't matter
Do the DANCE (do the dance)


As strong as you might
Working day and night
Whatever happens
Do the DANCE (do the dance)


The way you move is a mystery
You're always there for music and me


Do the DANCE (do the dance)
The way you move is a mystery
Do the DANCE (do the dance)
You're always there for music and me


Do the DANCE (do the dance)
The way you move is a mystery
Do the DANCE (do the dance)
You're always there for music and me


Do the DANCE (do the dance)
The way you move is a mystery
Do the DANCE (do the dance)
You're always there for music and me


Do the DANCE (do the dance)
The way you move is a mystery